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Scene from Zusje (1995)
Scene Details
| Duration: 274 sec. | Nudity: yes | Creator: Ruffah |
| New Filesize: N/A | Sound: yes | Old Filesize: 102 mb |
| File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 720x544 | Added: 2015-Jul-28 |
Actresses in this Scene
Kim van Kooten
Career
First Appearances:
Most Important Roles:
Career Highlights:
Full Biography
Kim van Kooten, born on January 26, 1974 in Purmerend, North Holland, Netherlands, is a Dutch actress and screenwriter known internationally for her role in 'Phileine Says Sorry' (2003), partly filmed in New York City. She has won Golden Calf awards for Best Actress and Best Scenario for her roles in 'Phileine Says Sorry' and 'Met grote blijdschap' respectively.
About the Movie: Zusje (1995)
Release Year: 1995
Nation: N/A
Alternative Title: Kleine Schwester, Schwesterchen, Lillesøster, La hermanita, Pikkusisko, I mikri adelfi, Hugicám, Siostrzyczki, Lilla syster, Little Sister
Director: Robert Jan Westdijk
Writer: Jos Driessen, Robert Jan Westdijk
Production & Genre
Producer(s): N/A
Companies: N/A
Genre: Drama, Mystery
Awards & Similar
Awards:
Similar: N/A
Story
After several years of no contact, Martijn visits his sister Daantje in Amsterdam, where she's recently moved to live independently. Martijn enters her home with a video camera, announcing he wants to make a documentary about her life. This creates tension between them as Martijn tries to delve into their past, which Daantje avoids. To keep Martijn at bay, Daantje starts a relationship with Ramón, but Martijn interferes and eventually manages to talk to Daantje about their shared history. This helps him overcome his obsession with her and enables him to see her without the video camera.
Summary
'Zusje' (1995) is a Dutch drama directed by Robert Jan Westdijk, focusing on the complex relationship between siblings Martijn and Daantje. After years apart, Martijn's intrusion into Daantje's new life in Amsterdam sparks tension and forces both to confront their past. The film explores themes of sibling dynamics, obsession, and the power of shared history.