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Filmtitel: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Porträt von Alexandra Dahlström

Alexandra Dahlström

Geburtsname: Alexandra Dahlström

Geburtsdatum: 1984-02-12

Geburtsort: Gävle, Gävleborgs län, Sweden

Details

Alternative Namen: Alexandra Dahlstrom

Äußere Merkmale: N/V

Karriere

Erste Auftritte:

  • Truth or Dare (1997) als Fanny

Wichtigste Rollen:

  • Show Me Love (1998) als Elin
  • In Bed with Santa (1999) als Jeanette
  • Locals (2022) als Olivia
  • Psychosis in Stockholm (2020) als Patient
  • Our Day Will Come (2010) als Fille anglaise #3
  • Truth or Dare (1997) als Fanny
  • Blondie (2012) als Lova
  • Mañana (2009) als Petra
  • Broken Hill Blues (2013) als Teacher
  • Picture World (2017) als Karin

Karriere-Highlights:

  • Show Me Love (1998)
  • In Bed with Santa (1999)
  • Locals (2022)
  • Psychosis in Stockholm (2020)
  • Our Day Will Come (2010)
  • Truth or Dare (1997)
  • Blondie (2012)
  • Mañana (2009)
  • Broken Hill Blues (2013)
  • Picture World (2017)

Vollständige Biografie

Der folgende Text ist nur auf Englisch verfügbar.

"Among Sweden's radiant actress exports - Malin Akerman, Alicia Vikander, Noomi Rapace, Lena Olin - Alexandra Dahlström stands out as another product of what seems like a magical water source in her homeland. The Gävle native's international debut was triumphant, winning the Guldbagge Award for Best Actress in 'Show Me Love' (1998). She followed this with a role in the black comedy 'In Bed with Santa' (1999), before taking a hiatus to complete her education. Dahlström returned to acting in 2004, starring in the short film 'Like Love But for Real!' and the Swedish drama 'Fröken Sverige', notable for its captivating close-ups of her cleavage. Subsequently, she appeared on television in the series 'Goede tijden, slechte tijden' (2007-2008) and 'Covert Affairs' (2012), and in films like 'Broken Hill Blues' (2013) and 'Psychosis in Stockholm' (2020). However, her most talked-about performance was in the French drama 'Our Day Will Come' (2010), where co-stars Olivier Barthelemy and Vincent Cassel played second fiddle to Dahlström's scene-stealing bare breasts. Despite her fluency in Swedish, Russian, German, French, English, and Italian, it's Alexandra's physique that transcends linguistic barriers."

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