Deborah Kaufmann
Karriere
Erste Auftritte:
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Karriere-Highlights:
Vollständige Biografie
Der folgende Text ist nur auf Englisch verfügbar.
"Born in Berlin, Germany, Deborah Kaufmann debuted in the film industry at infancy alongside her actress mother in 'Der Mann, der nach der Oma kam' (1972). As she matured, Deborah became a prominent figure in German cinema and television, accumulating numerous credits. While her cinematic appearances were limited, her prolific television career ensured steady work. Fans have been fortunate to witness Deborah's extensive skinage throughout her career.
In the miniseries 'Konig der letzten Tage' (1993), Deborah delivered an explicit scene, revealing full frontal nudity that included breasts, buttocks, and pubic hair. The experience was described as shocking enough to evoke the exclamation, "Ich glaub mich knutscht ein Elch!"
The film 'Der Laden' (1998), although its title remains unclear, featured Deborah in a revealing role where she allowed an unnamed character to suckle her breasts. This scene generated envy among viewers who weren't the lucky recipient.
In Netflix's German series 'Dark' (2017), Deborah offered another glimpse of her assets by opening her robe to expose one of her breasts. Despite the series' title, fans eagerly anticipated more revealing scenes from Deborah.
Her recent credits include 'What Doesn't Kill Us' (2018), 'Jenny: Echt gerecht' (2019), and 'Polizeiruf 110' (2020). Although there's no confirmed timeline for Deborah's next revealing scene, fans eagerly await her next performance."
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